Posts Tagged ‘DJ’

Introducing…Malic

September 4, 2010

Sorting through my inbox recently I came across a Twitter notification that ‘k1malic’ had started following me. I clicked through to his profile page and although it said he was a Grime producer, I couldn’t for the life of me find any links. I asked if he could send me some links and right away he sent me some showreels; three in all which I nonchalantly downloaded. That was about 15 days ago. I have not stopped listening to them since.

Malic aka Kitt Bevan has only been producing for a matter of months but already he has honed his own sound. Like Z Dot, he utilises strings to great effect – albeit not as sparsely. Malic’s music evokes that Eski Beat sound whilst still sounding relevant and fresh. While many imitators merely sample ‘that’ Wiley snare for an Eski Beat effect, Malic has a much broader approach; layering polished orchestral strings, deadpan brasses and driving basslines on top of current drum patterns and tempos.

As Logan told me in one of many interviews, it’s always better to rework and edit existing Grime formulas than attempt to ‘widen’ the sound by incorporating nuances from other rap-based genres. In most instances, ‘widen’ is just copying what’s in vogue.

Listen to the below and see what I mean. These beats have an Eski texture to them without sounding like imitations. I tip Malic for big things over the next coming months, he has some projects on the way and I hope to hear him collaborate with some other artists, not just MC’s. His instrumentals are beefy enough to stand on their own. Big up Malic.

Malic – Dont Try It by Threefold_Media

Malic – Bally by Threefold_Media

Malic – Negative Actions by Threefold_Media

Kristian

Logan Sama’s May 2010 Round Up

June 10, 2010

Apologies for the late blog entry. As some of you will know I was booked to play San Francisco at the end of May, which kind of messed up my schedule. However I’m back now, well rested and ready to go!

Flyer

Starting with my trip, San Francisco was cool! In terms of the actual gigs – they went ok. Dubstep has been big for a while out there, but I was the first dedicated Grime DJ to have been booked. The gigs could have been a bit busier, but amongst those that were in attendance there were some really knowledgeable people who enjoyed the tunes and knew the records.

There were some Dubstep guys on the rota and so when they played it was very much a ‘let’s stand here and absorb the Dubstep’ atmosphere. In fact, whilst I was there, ‘The One’ said he noticed his audiences being turned off by the shrill, mid-range ‘Brostep’ that currently popular. Because ‘The One’ and his lot are so in touch with the music, they only book Dubstep acts like Joe Nice and Mala – DJ’s that still incorporate the ‘Dub’ element in their sets. However, when I went in, people were jumping up and down and showing real energy. Surprisingly, they went for the vocals as much as the beats. I think after hearing instrumentals all night they needed something different to vibe to!

I’ve got to big up the promoter ‘The One’ for bringing me out to San Fran. He DJ’s and produces Grime, often collaborating with others in the area. He actually did a remix of Wiley’s beat ‘5.27’ which I played on my show about a year and a half/two years ago. There are guys out there that have been doing Grime for a good 5-6 years, who know all the tunes and are up to date with releases…With the internet, anywhere you go in the world, fans that know the music will talk to you and know as much as anyone in the UK. It’s good to see.

In fact, whilst I was out there I was made aware of a couple of MC’s bringing the Bay Area style of rapping to Grime. One is called Skurge, a talented spitter that ‘The One’ is working with. Also, there is a production crew called ManVSMachine that are doing stuff over Terror Danjah beats etc. I know Tre Mission is big now and spits double time Grime tempos, but these guys bringing a slower, drawn-out style to the table.

Logan's Sweets

Music aside, I enjoyed the American food as subscribers to my Twitter feed will know! I always think of picking up my phone when I’m about to eat…so naturally I feel to broadcast my eats worldwide! I was only there for five days and I wanted to try everything so I went to the International House of Pancakes and had a stack, had a Philly cheese steak and a couple of burgers. It was ok for a week, but if I stayed out there any longer I would’ve probably had a coronary!

Back in the UK it’s been pleasing to see so many instrumental tracks/CD’s coming out. Fans can get their hands on a lot more beats that would’ve otherwise become obscurities. I think now that this is going, we need to keep momentum behind the E.P. and single release model that JME and myself have been using. There is no reason why producers, after getting good feedback for a track, can’t fling it up on iTunes so that it comes out a couple months after audiences have first heard it. Also, this open-source remix thing going on at the moment, spearheaded by Terror Danjah, Skepta, JME etc is very healthy for the scene and is a really good platform for established producers to show the levels. I’ll be showcasing more of the efforts on my show soon, do a little medley or something.

NHNT

Despite only catching a couple of the episodes, BBC2’s No Hats No Trainers has become a great vehicle for Grime culture. If the culture gets out there, then the sound will follow. Whilst I’m under no illusion that if we were to put out Next Hype tomorrow it would make top 10, the more people who are made familiar with Grime culture the more accepting they will be of the music. Then, there will be less need for these 4/4-electro crossover efforts. You have to remember that the guys responsible for picking the track listings for Radio 1 etc, are middle-aged, middle-class men who are out of touch and incapable of spotting trends. They only pick what is popular now.

Anything that makes Grime look a little more desirable to the masses is great in my book. They said they’d get me on there sometime soon, although I haven’t heard anything yet. The Street Fighter section with D Double was something that I’d have liked to have got in on…Seeing as I was one of the first to play the tune AND I spend most of my day playing Street Fighter!

The World Cup is about to start and whilst I hope England romp home to an astonishing victory (!), I also hope there won’t be any major incidents. Having lived out in South Africa for three years, I know how beautiful friendly and welcoming the country can be. Conversely, I also know how dangerous it is in certain parts. It has one of the highest murder rates in the world and poverty remains a massive issue. So if you are going, enjoy yourself, soak up the atmosphere but be vigilant – not just of crime but the weather. It’s Winter out there right now so it’s as warm as London in the Summer during the day but at night, temperatures plummet.

As for predictions, I haven’t seen any teams that are really playing on form but aside from Brazil, I reckon the Spaniards will do well.

Until next time peeps, Keep It Grimy!

Logan

Logan Sama’s April 2010 Round Up

April 30, 2010

In terms of radio, Chosen Ones Part 2 was a great start to April. We worked with different MC’s and concepts this time, keeping the format fun and fresh. As I mentioned here last month, I wanted a Yardie set for Part 2 and I got one with Killa P, Badness, Shizzle and Jamakabi! It was definitely one of my favourite sets. Double S held down a set on his own (as the rest of Marvell couldn’t make it) for 25 minutes which was very impressive – I’m sure even his critics on the internet would have to agree.

We also had Trim and his Circle, as well as exciting new talent in the form of Dream Mclean, Teeza, Voltage, Onoe and Scruface – the latter an MC who I have high hopes for this year. We are going to keep the Chosen Ones series going and I know people are wondering why I haven’t opted for bigger names so far. However, I’m going to be doing a new Chosen Ones show every six weeks now and as such I don’t want to recycle sets. We are going to get sets from Ruff Sqwad, Cold Blooded, Boy Better Know, Movement and maybe Slew Dem in the summer…rest assured we’ll be doing what the people want to hear! I don’t want it to just be the same show with Newham Gens and Bloodline appearing every week – despite what some may demand!

Chosen Ones gives me the opportunity to feature people from across the UK too, MC’s outside of London – Midlands, up North etc. It’s otherwise hard for me to give exposure to these guys with a one hour show on a commercial station. Kiss management are still giving really positive feedback; they’re really happy with both the Radio listener figures and the web hits. Hopefully, if we can sustain the effort then we might have a two hour show again!

The Grime Forum awards were another April highlight for me. I didn’t even realise I had won the best DJ award – I naturally assumed Spyro had won. There are many things that make a DJ ‘good’ and in light of this award I‘d like to think I’m now alright at most of them! It was a pleasure to receive the award. The fact that the organisers had clubbed together and made a physical award that I can actually keep was special. I made a big deal of it and specifically invited P Money and Blacks down so we could give the awards credibility. Last year the awards came and went. This year, I felt that giving Grime Forum credence on the radio was needed.

People that are doing work should be rewarded for their efforts; Tempa T getting best song and best video, P Money winning best MC and best mixtape and Blacks winning best newcomer was all down to the Grime Scene – not the mainstream/playlist world. It was real fans saying what the hottest shit was this year. I heard Skepta say that for him, this was the first time he had seen a list of award winners and completely agreed with it. Unfortunately, the Grime Daily party didn’t go nearly as well. All I’ll say is it is a shame incidents like that still happen – they are a poignant reminder of what is really going on in the world at the moment. The name ‘Grime’ is very precious and we have to be careful what we attach it to…

Going back to Skepta, he’s currently remixing P Diddy’s ‘Hello Good Morning’ which is big news for Grime. I know Skepta wants to do a big Grime club smasher, so we’ll see what comes of it. As with anybody big dipping their toes in Grime, we’ll have to use it and get as much exposure as possible. It’s good that somebody like Diddy, coming from America, looks to the UK and picks a Grime artist to work with. It’s a step in the right direction when people look over here and see Grime as our equivalent of Hip Hop.

As you may have seen on here and on my own blog, I’m a bit of a Street Fighter fan! A nice surprise this week was D Double’s vocal of Swerve’s Street Fighter Riddim. I had no idea Dee was going to vocal it, in fact the first I knew was when I received a text from Laurence at Dirtee Stank saying ‘D Double’s Street Fighter Freestyle is Fucked!’ I rang him straight back! I got sent it and it was like two of my favourite things mixed together. A special made for me (almost)! In terms of the actual game, I’m really enjoying it. I actually want to get good at this version as me and Jamie are thinking about going to some tournaments and trying our luck.

I’ve been trying to work with Dudley, but like any new character it’s hard at first. As he only punches, using him effectively is quite technical, but once he gets in there he can do some damage!

As a final note, look out for B-Live’s Modern Warfare release this month, which comes with a massive, MASSIVE remix as well as the Sharky Major and Badness CD’s. I would like to say a big thank you to everyone that supported the ‘Shark Attack’ single because it was a bit of a gamble, but it paid off. J Beatz, Nuklea and Z-Dot instrumental EP’s are coming soon. In terms of gigs, if you want to keep up to date with where I’m playing check my blog, http://www.keepinitgrimy.blogspot.com. I’m looking forward to playing Hip Hop Kemp in the Czech Republic this summer, as it’s all good fun and hopefully I shall be going to San Francisco in May…Fingers crossed!

Until next month…Keep it Grimy!

Logan.

Logan Sama’s New Blog Launch on WTTF!

April 5, 2010

ls

We are very pleased to announce that as from today, Kiss FM host and Grime DJ supremo Logan Sama will be contributing an exclusive monthly blog to Welcome To The Fold. Far from a conventional monthly summary, Logan’s WTTF blog will provide unique insight into the Grime scene as well as detailing his encounters, interests and observations over the past 30-or-so days – Grime related or not!

As a DJ, A&R, writer, commentator, gaming enthusiast AND ardent West Ham supporter, there will always plenty to read about! This month Logan talks Estonia, Chosen Ones, Street Fighter and upcoming releases on Adamantium:

Earlier this month I DJ’ed out in Estonia for an event called ‘UKG’ which was dedicated to the spectrum of Garage sounds old and new. It’s always interesting playing in Europe because each country will take different things from the music. In Estonia, as I played my 90 minute set, I could see some people going off to straight up-and-down Grime, whilst the others started jumping about to more Dubsteppy type stuff.

They didn’t really have a grasp of what the Grime classics are, as I suspect they have just started listening recently. But I can really see instrumental Grime spreading across Europe – more so than vocalled Grime – as inevitably, where English isn’t spoken as a first language, it just becomes a barrier. I had a great time and hopefully I’ll be going out there again sometime soon!

This month saw the release of the Palladium/Vice documentary ‘London Pirate Radio’, which yours truly was featured in. It was a really interesting piece and I liked how it went into the history of pirate radio and where it came from. Looking online, the feedback has been really good, not only for the film but for the accompanying mixtape I put together. Vice are really pleased with how it was all received and tell me it’s been the most popular item they’ve made so far!

Earlier this week I held a Street Fighter session at London Bridge and invited some Grime mandem down. JME, Shorty, Solo 45, Score Five and Dexplicit amongst others were in attendance, Dex just edging out Jamie in the final bouts for the title. We might hold a proper tournament sometime soon as there are some half-decent SF4 players in the scene.

We all enjoy playing it and it’s a good reason to get together other than music. I have to say now though that I doubt I’d take the title – I just don’t have that winners’ mentality! I can’t wait for the new edition to come out on April 30th – Dudley is gonna be the guy – his ultra animation looks sick!

Check Dudley Murking Here!

The Chosen Ones show was a big deal for me this month – the four sets (featuring Bloodline, OG’z, Newham Gens, Ghetts, Devlin, Dogzilla, Shrimpoz and Griminal) went well and the online listening figures (as well as the downloads) were really high. The KISS producers said it was a strong look and I can’t wait to air the next show on April 9th. We are recording the sets for it now and all I can tell you is that you can expect to see some promising young talent on there! I’m also trying to get a set recorded with all the Yardie MC’s on it as I know people have been itching to hear that!

Release-wise, ‘Shark Attack’ – which came out on my label Adamantium Music – did well, with some good feedback on the Grime Forum. Next up will be B-Live’s ‘Modern Warfare’ and that will be out as soon as we get the remix done. It looks like single releases is the way to go now – mixtape CD releases (and all the time-dalaying niggles inherent in them) aren’t really the one anymore. Saying that, Sharky’s and Badness’ CD’s will be out soon and once they are out, done and dusted, I’m going to be focussing on getting some producer EP’s released. Watch this space…

That’s it for this month. Next month I’ll be looking at putting the back catalogue online and some other stuff. Watch out for the Newham General’s new EP with Skitz Beatz and my Chosen One’s set on April 9th. It’s gonna be another big month!

Until next time, Keep It Grimy!

Logan.

Logan Sama Interview

February 3, 2010

Host of the only legal Grime radio show in the world, record label owner AND a regular Jim’ll Fix It to Grime MC’s and producers, Logan Sama is Grime’s go to guy. The last quarter of 2009 unfortunately saw his KISS show cut by an hour, in line with the stations’ desire for more playlist airtime.

But it seems even pluralizing radio bosses can’t hold the Essex selector back, as he embarks on some new, exciting projects he hopes will rejuvenate the scene and provide fans with much needed coverage.

We caught up with him for a chat.

Logan, what was your highlight of 2009?

The best thing about 2009 was people being consistent over a long period of time. In a music sense, people were getting music made and getting it released.

Do you think this increase in work rate reflected the audiences’ renewed interest in music?

Yeah I think MC’s have been meeting the demand.

2009 was a year that heralded great commercial success for a handful of Grime MC’s, yet they achieved this without making Grime music. What does this mean for Grime going forward?

In a positive sense you get more people finding out about these artists, where they have come from and what they have previously done. Then, hopefully, you get a trickle-down effect [into the scene] However, there is the other side of it whereby you have weak-minded artists that think the only path they can take towards success is in making stuff [that’s currently popular] that they weren’t making in the first place.

Do you think this reduces longevity and, in some cases, cheapens the ‘worth’ of the Grime scene?

Yeah I think it’s got low longevity to be honest, especially the stuff out now because it’s not particularly adventurous – artistically or musically.

Whilst major label interest continues to influence what music Grime artists’ record, there is an equal reaction fighting it’s allure. What hope do these acts have in reintroducing and popularising the fundamental principles of Grime; hype, innovation and attitude?

I don’t think that the worlds ready to hear their shit to be honest and that’s not necessarily a bad thing.

What can you envisage happening then?

[Formulation of] a self sufficient industry that’s independent of the mainstream but people can still make a living from. You can make D‘n’B records without sounding like DJ Marky & LK’s ‘I like it’ and go round the world and make a good living. We have equally qualified artists who have taken years to build up their expertise and their craft.

Who do you see as leading the way against the pull of the mainstream?

Jamie because he has absolutely no fucking interest in it whatsoever. He’s not done any of it and he really doesn’t want to. Everyone else is just focusing on their music.

Elijah and Skilliam are championing a new outlook in Grime, focusing on DJ’s and producers rather than MC’s, who often let their ego muddy the music. Do you welcome this move?

Yeah, they show a different side of Grime and put their personal stamp on what they play as DJ’s, which I think is very important. It’s important because it gives a breadth to the appeal of Grime, especially to people that don’t like MC’s, but appreciate the beats and mixing.

To be honest, the more DJ’s we have representing different sounds and working with producers that they like, the better. Terror Danjah and Swindle hadn’t put out a tremendous amount of beats and music in 2009 and audiences weren’t really hearing a lot of their stuff. However, working with Butterz has opened doors for them because as producers, they are getting highlighted whereas in my show for example, they get lost in the mix.

I have a show which has to cover across the board and my main aim to play the most popular stuff alongside the most appealing stuff. DJ’s on the pirate circuit can focus on one avenue of Grime, which is healthy for the scene.

Some argue that Grime is dead and that the music made during Grime’s ‘golden era’ is not being made now. Is it evolution, or is it economics?

I don’t think the sound has changed, it has just widened. Music as an entity changes based on the questions asked of it by the consumer. If it was still rewarding to make beats and spit over them on radio, not just financially but status-wise, then people would be doing that a lot more. But, the focus has come away from that now.

That is one of the main reasons as to why there aren’t many Grime DJ’s anymore -it’s just not rewarding enough, and people think Grime DJ’s are somehow lesser than other DJ’s who may even be technically inferior.

Is that something you have faced?

I see a lot of guys getting bookings, from other scenes. When I got my KISS show, my vision as a professional DJ was based upon going to raves where you’d have Tim Westwood playing hiphop and Double D or Goldfinger playing dancehall. I would therefore, in the same way, go to those events and play a Grime set. That’s how I imagined it.

Obviously that never really materialised even though this genre of music is still going strong in terms of producing well-known artists and well known tracks. Instead, we’ve seen a rise in budget DJ’s that play everything but stand for nothing and that’s across the board – generic urban nights to trendy Shoreditch nights, where people are the flavour of the fucking month playing uninspired selections.

Going back to the evolution of the Grime sound, you said earlier that the consumer dictates where the sound goes. Therefore, in your opinion, was it ever a conscious decision by producers and MC’s that saw what was going on Stateside, to adapt their sound and tie in with that market?

I think it’s subtle and slow. If you are an MC with a microphone, you will want to say more stuff and work on your technical ability to ensure you’re better than the other MC’s out there. That became quite important in 2005 – 2006 whereby flows and lyricism became prominent and guys spitting for reloads were looked down upon a bit.

At the same time, when the mixtape thing became popular, there was a big lack of live events. Now, live events are restricted to people turning up and doing P.A’s of their singles. So, like I said, the reward for some of the skills people had and practiced, is not there anymore.

The five MC’s that are rated for reloads now are the ones that were doing it back then. D Double E is the reload guy and will always be rated for that. But for new guys coming through, I don’t really see the recognition or reward for having that sort of live element. Now, it’s all based around singles which is a wider-based thing. Guys like Chipmunk for example, who have never been involved with that live element, are taking the culture with them [into the mainstream] and I think it’s good. I really do. In Chipmunk’s case he is a positive young man and works hard.

As a Grime MC, those live skills are not respected by wider audiences, and I don’t know why that is. It might be fault of our own because we’ve not let people understand how important those things are and allowed them to die but, at the end of the day, guys like Spyro who are fantastic technical DJ’s are not getting the rewards for their skill.



Which is crazy when you consider how many parallels there are between Grime and Dancehall. In Jamaica they have festivals with massive crowds…

Yeah, but that is the cultural backbone which has taken many years to develop. You have to remember Grime is only 6-7 years old.

Over those 6-7 years do you feel the press has represented Grime fairly?

I don’t think the press has made enough of it. Elijah and I had an amusing conversation about this the other day concerning Grime DJ’s in the press. Look at any other scene and the press will write about anyone if they are flavour of the month.

When you try and get something about Grime into a publication they’re like ‘What’s the catch? What’s the story?’ and it’s hypocritical. What’s the story about Ibiza this year? Or another DJ that’s playing the same tunes in Shoreditch or Yo-Yo’s that everyone else is playing already?

All they have over us is the right press officer [but] if you are good at what you do, people will want to read about it! That’s how music journalism should work. Your ‘story’ has nothing to do with your talent and it’s up to the journalist to find it.

You’ve said that Grime is a real meritocracy in that there are no proven ‘formulas’ and that experimentation within the scene is always high – in both music and media. You think this is still the case?

If you are hot, people will discover you. People talk about knowing this person or that person, or being in certain circles, but really, if you get into the real world of music, because it’s all so structured and there is a network there, it is all about talent.

Try and become a big D‘n’B MC without being brought in by the three main big promoters and five big DJ’s co-signing you. It’s really locked down tight! Whereas if you do Grime music, people gravitate towards you – no one gives a shit where anybody’s from. If you’re doing stuff people like, then you’ll get noticed. I think Grime is THE most open genre at the moment.

How did you take the news when KISS first announced the 1 hour cut to your show?

You can’t do anything about it so I immediately thought about what I could do to make things work, rather than getting pissed off about it. It was a wake-up call for me because I had become a bit complacent – happy to do my radio show and not any other stuff that I could have been doing.

Were you surprised with the amount of support you received?

Yeah man, all the people online got noticed by the management and it was discussed. It was great, but the seeds had already been planted. We’ll see what happens going forwards.

Last year you debated with MistaJam over Twitter, concerning Grime’s lack of coverage and reference on mainstream radio and other media channels. Could you clarify what you said for those that missed it because I think it was an interesting point…

I think there are numerous platforms, not just 1xtra, where people could be made more aware of the fact that these stars are coming from Grime. I felt that 1xtra was one of the places where Grime wasn’t being promoted. It’s subtle and I don’t think it was intentional on their behalf, but they had a jingle on [Mista Jam’s] radio show where it said what music he played and that didn’t include ‘Grime’ – even though the jingles were Tinchy Stryder and Chipmunk.

That’s important because it erases ‘Grime’ from the subconscious of people listening to it. If it’s not there, it’s easy to forget it.

Trim said in an interview a while ago that even the word ‘Grime’ registers negative expectations and it’s hard for artists to rise above them. Do you think there is any truth in that?

I don’t think that’s true because so many people have come from it and have done really well. But like I said, achievements in Grime are looked down upon and not really acknowledged. It’s like ‘ok you’ve done that, now come and do some real stuff.’

What do you think is the cause for that lack of respect?

The music and the image we put out isn’t professional – all that cussin’, bickering, misbehaving and unreliability undermines the huge amounts of creativity and hard work people in this scene put in. We fail on a bunch of superficial principles that the rest of the music industry base themselves on.

Your label Earth 616 has gone rather quiet recently, after releasing three vinyl EP’s last year. What happened and will we see more releases this year?

They didn’t sell a lot of units and cost me a shit load of money – so much so that it took four months for me to recover my costs. Financially it was unstable. I will be putting out more stuff in the next couple of months but it will be based on an entirely different business model. I’m still trying to confirm artists for that, but [in the meantime] I’m doing a couple of digital releases, both of which are vocal cuts.

What projects you are working on at the moment?

At the moment I’m working on getting the Sharky Major and the B-Live & Spyda tunes out because they’re hot tunes and I want to see them out before they disappear off the face of the Earth. Both are likely to be released at the start of March.

I’m also working with some of the lesser known artists who can’t get their stuff out properly and end up giving it away for free. I want to help those people.

The last mix you made available for download was your birthday one, which was very well received by fans. Have you got any more up your sleeve?

I’m going to try and do a bi-monthly mix that people can buy on iTunes, if I can sort out the legalities of it. It won’t be free, but it will be a Logan mixtape available for a couple of quid featuring exclusive freestyles and what’s hot at the moment.

Any plans for another Nike One Away project?

Not at this moment in time. I’d love to do that again but it means going into the studio and holding everyone at gunpoint until they finish their bars!

Break down what that whole recording process was like…

I spent a lot of time – about two weeks in total – sitting in studios with people until they did their tune.

Name a personal highlight from that time?

I wrote Skeptas’ ‘I Spy’ dubplate which was cool! And getting a Newham Generals dub is always fun too…

What was your favourite dub on there?

Erm…Murked again. That was sick. Battle riddim was also…

Listening back to your old mixes you used to drop a fair bit of Dancehall in there, but not so much anymore. Why?

My attention has just drifted away and I’ve not noticed as many big records as I had done. I’m a bit out of touch now.

Last but by no means least do you have any tips for this year?

Producer wise – J Beatz and Nuklea. MC wise I’d like to see Scruface do stuff this year.

Kristian

No Hats No Hoods Showcase – January 2010

February 1, 2010

No Hats No Hoods showcase @ Tim & Barry’s studio, featuring P Money, Blacks, Royal T, Magic, DJ JJ, Rude Kid, Hammer and the Don’t Watch That team.

Big up to all those involved! Set soon come!

For photos contact me on twitter @threefoldmedia

Kristian

The 24 Days of Christmas – Day 2

December 2, 2009

As we all know, Christmas is fast approaching and as we all also know, many of you will be struggling to think of interesting gift ideas for your nearest and dearest. ‘What shall we buy to show our love?!’ we hear you cry. Well, fear not, for we at the Fold know that sometimes, thinking beyond the usual DVD boxsets/smellies/Xbox games can be a little difficult, and so over the course of December we endeavour to bring you a new gift idea each day on the run-up to Christmas, totalling 24, and with each one we shall also bring you an accompanying song that somehow represents the gift in some way. ‘Gift ideas and related entertainment?!’ we hear you now crying! ‘How on Earth do they manage it?!’

Don’t ask.

Well here is gift idea #2: The Tape Express .

For a certain generation, cassette tapes have a special place close to the heart. The thrill of recording the Top 40 every Sunday evening and the ensuing frustration at being unable to edit out the DJ speaking over the end of each song will be familiar to a great many people. You know who you are, dancing round the bedroom with a tennis racquet guitar under your arm, unable to forget that humble 90-minute format. The way we consume our music has marched firmly into a digital future, but spare a thought for all those lonely tapes, collecting dust under the bed (along with your original Walkman), by completely reviving them with the ingenious Tape Express. Using the included EZ Tape Converter software, you can plug the Tape Express into your computer (via USB cable), play the songs you love and have them converted instantly into MP3 files. Those MP3 files can then be taken anywhere you'd take your other MP3s - into your iTunes library, your iPod or MP3 Player, burned onto CD and generally taken across all the usual digital platforms for your own personal use, and you can power it either by USB or our old friend the AA battery. How versatile is that? Looking not unlike an old personal tape player (presumably because it is a personal tape player), but with a somewhat more contemporary design, it's sleek and small enough to be taken anywhere you go, and functions just like your old Walkman - in case you're craving the feel of tape over MP3. You can even use the audio output to connect the Tape Express to your hi-fi or any external amp.

Text courtesy of IWantOneOfThose.Com.

And here, is an ingenious 80min mix courtesy of the kind folks at NewWork & 2tall, DJ Clockwork & Kper:

DJ’s 2tall, Clockwork and Kper spent about a year making this 80 minute mix of over 200 tracks. Expect 10 years worth of beats, beats and beats, from hip hop into electronica, glitch, dubstep, etc. Why? “.. to highlight the lineage of hip-hop production and beat making from the turn of the millennium to the present day.”

Text courtesy of NewWork.

Tapes Rule!

Kristian

Smurfie Syco

November 26, 2009

Interviewed and then accompanied Dirtee Stank’s Smurfie Syco for a day around his ends in Wood Green, before reaching Kiss with DJ MK.

Pics and interview to come, but check out in this vid in the mean time:

I’m the pesky snapper getting in the way of the camera 😉 Big up Smurfie who is promoting like a madman right now. Follow him @smurfiesyco.

If you need press coverage, contact me here

“F*ck The Rest, Now Hear The Best!”

October 14, 2009

A new funky mix from Spooky is out, and it’s as heavy as the last one. For those that didn’t check his Tribal Mix (which i have been listening to at least once a week since I got it – no exaggeration) see my blog on it here:

It a features a few more MC cuts than the last one, which may not to be to everybody’s taste. Nonetheless, the funk is there in abundance! This mix offers the full spectrum of UK funky and is perfect for those looking to ‘get into’ the scene. Spooky is a criminally underrated DJ – his skills and selection alone should make him a prime target for mainstream radio. He tells me he has a promo or two on the way – so promoters/stations look out.

Stay tuned for a Threefold interview coming soon.

Get the new ‘Bonfire Mix’ here.

Tracklist:

1. GREYMAN / TRIBAL MUSIC (SPOOKY SPECIAL)
2. MAXWELL D / BLACKBERRY HYPE (STICKY REMIX)
3. LIL SILVA / DIFFERENT
4. MOKY FEAT. LJ & C.LOS / 079 ME
5. FUZZY LOGIK / ROOTS
6. STUSH / WE NUH RUN (‘SIREN’ VOCAL)
7. SWIFT JAY / TOPPA 2
8. TRIBAL MAGZ & GRACIOUS K / TRIBAL MAN SKANK REMIX
9. PROXY / RAVEN
10. STICKY FEAT. HEARTLESS CREW / WE GOT THE VIBE (THE FUGITIVE RIDDIM)
11. D MALICE / GABRYELLE REFIX
12. FISH GO DEEP FEAT. TRACEY K / CURE & THE CAUSE (DENNIS FERRER MIX)
13. KARIZMA / DARQNESS
14. SABRINA & DONAE’O / GET OUT MY HOUSE
15. BASSJACKERS & APSTER / KLAMBU
16. DVA FEAT. ALAHNA / I’M LEAVING
17. EMVEE / NOCTURNAL
18. JEREMIH / BIRTHDAY SEX (DONAE’O REMIX)
19. DONAE’O / AFRICAN WARRIOR (INST.)
20. R1 RYDERS FEAT. DOGTANIAUN / AYIA NAPA RIDDIM
21. ROSKA / ELEVATED LEVEL
22. MARK MORRISON / PUT YA ARMS AROUND ME (SPOOKY’s ‘WRAPPED UP’ REMIX)
23. DVA / NASTY NASTY NASTY (ROSKA REMIX)
24. FOOTSTEPS FEAT. AL / TELL ME
25. APPLE / CHANTES
26. FUNKY DEE & LIONESS / ARE YOU GONNA BANG DOE?
27. YONURICAN / BORIKEN SOUL DUB
28. SHYSTIE / PULL IT (ILL BLU REMIX)
29. DJ GREGORY / DON’T PANIC
30. JP FEAT. ASHMAN & XEI / JUNGLE SKANK
31. DELERIOUS / KUNTAH KENTAY
32. CRAZY COUSINZ / BONGO JAM (L-VIS 1990 & BOK BOK’s REFIX)
33. ROBIN S / SHOW ME LOVE (GEENEUS REMIX)
34. SPOOKY vs. GIGGS / TALKIN’ FUNKY
35. ILL BLU / RIDER
36. HARDSOUL / BOUNSON
37. SUGES / WE BELONG TO THE NIGHT
38. SPOOKY & DANIELLE / GOTTA BE FREE
39. SPOOKY / NAUGHTY CHLOE
40. DJ GREGORY / BLOCK PARTY
41. ATTACCA PESANTE FEAT. SHEA SOUL / MAKE IT FUNKY FOR ME
42. HEARTLESS CREW / SUPERGLUE FUNKY
43. SPOOKY / RUM PUNCH RIDDIM
44. TRIXSTA / GET ON THE CASE
45. DJ NAUGHTY / WATERPOWER
46. DOTSTAR / STICK UP

Big up Spooky for keeping me up to date with this stuff. Trully brilliant.

Kristian

FWD VS Rinse @ Matter O2 Nov 20th

September 25, 2009

Good news! Rinse has secured a quarterly residency at the London superclub. After the success of Rinse’s 15th birthday event there it seems like a natural decision. This one look set to be every bit as special as the last!

Absolutely mental line up:

SKREAM + BENGA 2 hour set

BOY BETTER KNOW

HEARTLESS CREW

GEENEUS

WILEY

ZINC

GHETTO

N-TYPE

CRAZY COUSINZ MC VERSATILE

KATY B

SPYRO

YOUNGSTA

HEADHUNTER

ONEMAN

RAMADANMAN

SUPA D

DISTANCE

BROCKIE (Jungle set)

COOLY G

FLOATING POINTS

CRAZY D

TIPPA

STAMINA

Order your tickets here

Kristian